Tuesday, September 22, 2015

ആയിരത്തോളംപേര്‍ക്ക് ദിവസ സൗജന്യഭക്ഷണം നല്‍കി കണ്ടനാട് ഭദ്രാസനം

ആയിരത്തോളംപേര്‍ക്ക് ദിവസ സൗജന്യഭക്ഷണം നല്‍കി കണ്ടനാട് ഭദ്രാസനം
Posted on: 06 Sep 2015



തൊടുപുഴ:
വിശക്കുന്നവര്‍ക്കായി അപ്പം പകുത്തുനല്‍കിയവന്റെ സന്ദേശം ശിരസ്സിലേറ്റിയ ഒരു വിശ്വാസിസമൂഹം ദിവസവും ഊട്ടുന്നത് ആയിരത്തോളം രോഗികളെ. വിശക്കുന്ന വയറുകള്‍ക്ക് രോഗക്കിടക്കയില്‍ പ്രാര്‍ഥനയെക്കാള്‍ വേണ്ടത് ആഹാരമാണെന്ന തിരിച്ചറിവില്‍ മലങ്കര ഓര്‍ത്തഡോക്‌സ് സഭയുടെ കീഴിലുള്ള കണ്ടനാട് വെസ്റ്റ് ഭദ്രാസനസമൂഹമാണ് പത്തുവര്‍ഷമായി ഈ പുണ്യകര്‍മത്തിനു നേതൃത്വം നല്‍കുന്നത്.

എറണാകുളം, ഇടുക്കി ജില്ലകളിലായി 14 സര്‍ക്കാര്‍ ആസ്​പത്രിയിലാണ് മുടങ്ങാതെ ഉച്ചഭക്ഷണം നല്‍കുന്നത്. വളകോട്, കടയിരുപ്പ്, വാളകം, മൂവാറ്റുപുഴ, വാരപ്പെട്ടി, തൊടുപുഴ, രാമമംഗലം, മണ്ണത്തൂര്‍, പണ്ടപ്പിള്ളി, പാലക്കുഴ, പാലച്ചുവട്, പിറവം, മുളന്തുരുത്തി, പാമ്പാക്കുട എന്നിവിടങ്ങളിലാണ് ഭക്ഷണവിതരണം. രോഗികള്‍ക്കും കൂട്ടിരിപ്പുകാര്‍ക്കും എന്നുവേണ്ട, ആസ്​പത്രിമുറ്റത്ത് എത്തുന്നവര്‍ക്കെല്ലാം പാത്രംനിറയെ ചൂടുള്ള കഞ്ഞിയും കറിയും അച്ചാറും കിട്ടും.

രാവിലെ പത്തിനും പന്ത്രണ്ടിനുമിടയില്‍ ആസ്​പത്രികളില്‍ ഭദ്രാസനത്തിന്റെ ഉടമസ്ഥതയിലുള്ള വാനുകളെത്തും. പാത്രങ്ങളുമായി കാത്തുനില്‍ക്കുന്നവര്‍ നിരനിരയായി എത്തും. ആരും തിരക്കുണ്ടാക്കാറില്ല. പത്തുവര്‍ഷമായി ഹര്‍ത്താലുകള്‍ക്കുപോലും മുടക്കമില്ലാതെ വാനുകള്‍ രോഗികള്‍ക്കരികിലെത്തും. ഇടമലയാറില്‍ വെള്ളംപൊങ്ങി വഴിയടഞ്ഞ ഒരേയൊരു ദിവസം മാത്രമാണ്, പത്തുവര്‍ഷത്തിനിടയില്‍ ഈ മഹാദാനം മുടങ്ങിയത്.

പാവപ്പെട്ട രോഗികള്‍ക്ക് ഏറെ ആശ്വാസമാണ് ഈ പദ്ധതി. വിശ്വാസികളും സന്മനസ്സുള്ളവരും പണവും അരിയും പയറുമെല്ലാം ട്രസ്റ്റിന് സംഭാവനയായി നല്‍കും. ഇരുപതിനായിരത്തോളം രൂപ ഓരോ ദിവസവും െചലവാകുന്നുണ്ട്. മീന്‍പാറ അരമനയിലാണ് ഭക്ഷണം തയ്യാറാക്കുന്നത്. കടല, പയര്‍ തുടങ്ങിയ കറികളാണ് കഞ്ഞിക്കൊപ്പം നല്‍കുന്നത്. 2005 നവംബറില്‍ മാത്യൂസ് മാര്‍ സേവേറിയൂസ് തിരുമേനിയാണ് ഈ അന്നദാനത്തിനു തുടക്കമിട്ടത്. കാലംചെയ്ത മാര്‍ പക്കോമിയൂസ് തിരുമേനിയുടെ പേരിലുള്ള ചാരിറ്റബിള്‍ സൊസൈറ്റിക്കാണ് നടത്തിപ്പുചുമതല.

ഭിക്ഷയെടുത്തുജീവിക്കുന്ന ഒരു വയോധികന്‍ അഞ്ചുകിലോ അരിയുമായി കഴിഞ്ഞദിവസം അരമനയിലെത്തി. നട്ടെല്ലിനു പരിക്കേറ്റ് ആറുമാസം പിറവത്തെ ആസ്​പത്രിയില്‍ കഴിഞ്ഞസമയത്ത് അന്നം നല്‍കിയവരെക്കണ്ട് തന്റെ വലിയ സമ്പാദ്യം ഏല്പിച്ച് നന്ദിപറയാനെത്തിയതായിരുന്നു ആ പാവം. രോഗികള്‍ക്ക് കാരുണ്യത്തിന്റെ രുചി പകരുകയാണ് ഭദ്രാസനം.
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Monday, September 21, 2015

മൊയ്തീൻ അറിയുന്നുണ്ടോ, കാഞ്ചനമാലയ്ക്കു സന്തോഷമാണ്


മൊയ്തീൻ അറിയുന്നുണ്ടോ, കാഞ്ചനമാലയ്ക്കു സന്തോഷമാണ്
by
സ്വന്തം ലേഖകൻ 


kanchanamala-parvathy
കാഞ്ചനമാല, പാര്‍വതി മേനോന്‍
കാഞ്ചനമാല
എന്നു നിന്റെ മൊയ്തീൻ എന്ന സിനിമ കണ്ട് കണ്ണു നിറഞ്ഞിറങ്ങിയവർക്ക് അതൊരു സംഭവകഥയാണെന്ന് ഇപ്പോഴും വിശ്വസിക്കാനാവുന്നില്ല. മൊയ്തീനിന്റെയും കാഞ്ചനമാലയുടെയും അനശ്വര പ്രണയം അഭ്രപാളിയിലെത്തിയപ്പോൾ യഥാർഥ കാഞ്ചനമാല ദൂരെ ഒരിടത്തിരുന്ന് ഉള്ളിലെ പ്രണയത്തിന്റെ വേദന കടിച്ചമർത്തി സന്തോഷിക്കുകയാണ്.
സിനിമ നല്ലതാണെന്നും ആളുകള്‍ക്ക് ഇഷ്ടപ്പെട്ടെന്നും കേള്‍ക്കുന്നതില്‍ അവർക്ക് സന്തോഷമുണ്ട്. പക്ഷേ അവർ ചിത്രം തിയറ്ററില്‍ പോയി കാണില്ല. കാഞ്ചനമാലയോട് അടുത്ത വൃത്തങ്ങൾ പറഞ്ഞു. അറുപതുകളില്‍ മലബാറില്‍ കോളിളക്കം സൃഷ്ടിച്ച മൊയ്തീന്‍ - കാഞ്ചനമാല പ്രണയകഥയിലെ നായിക ഇന്നും അവരുടെ കാത്തിരിപ്പു തുടരുകയാണ്.
മുക്കത്ത് സുല്‍ത്താന്‍ എന്ന് അറിയപ്പെട്ടിരുന്ന വി പി ഉണ്ണിമൊയ്തീന്‍ സാഹിബിന്റെ മകന്‍ മൊയ്തീനും രാഷ്ട്രീയ-സാമൂഹ്യ രംഗങ്ങളില്‍ നിറഞ്ഞു നിന്നിരുന്ന മുക്കത്തെ ഹിന്ദു പ്രമാണിയായിരുന്ന കൊറ്റങ്ങല്‍ അച്യുതന്റെ മകള്‍ കാഞ്ചനമാലയുമാണ് ഈ പ്രണയകഥയിലെ നായകനും നായികയും. 1960 കാലഘട്ടത്തെ വീണ്ടും ആവിഷ്‌കരിച്ചുകൊണ്ടാണ് സിനിമയ്ക്ക് പശ്ചാത്തലമൊരുക്കിയിരിക്കുന്നത്.
മൊയ്തീന്‍ ആയി പൃഥ്വിരാജ് എത്തിയപ്പോള്‍ കാഞ്ചനമാലയുടെ വേഷം ചെയ്തത് പാര്‍വതി മേനോന്‍ ആണ്. നവാഗതനായ ആര്‍.എസ് വിമല്‍ ആണ് ചിത്രം സംവിധാനം ചെയ്തിരിക്കുന്നത്. ഇതേ പ്രണയം ജലം കൊണ്ട് മുറിവേറ്റവള്‍ എന്ന ഡോക്യുമെന്റിലൂടെ വിമല്‍ പ്രേക്ഷകരിലെത്തിച്ചിരുന്നു. അന്ന് തൊട്ടുള്ള ആഗ്രഹമാണ് ഈ കഥ സിനിമയാക്കണമെന്നതും.

Sunday, September 20, 2015

My Life as a Knowledge Worker - By Peter F. Drucker

My Life as a Knowledge Worker

The leading management thinker describes seven personal experiences that taught him how to grow, change, and age.

The leading management thinker describes seven personal experiences that taught him how to grow, to change, and to age--without becoming a prisoner of the past
I was not yet 18 when, having finished high school, I left my native Vienna and went to Hamburg as a trainee in a cotton-export firm. My father was not very happy. Ours had been a family of civil servants, professors, lawyers, and physicians for a very long time. He therefore wanted me to be a full-time university student, but I was tired of being a schoolboy and wanted to go to work. To appease my father, but without any serious intention, I enrolled at Hamburg University in the law faculty. In those remote days--the year was 1927--one did not have to attend classes to be a perfectly proper university student. All one had to do to obtain a university degree was to pay a small annual fee and show up for an exam at the end of four years.
THE FIRST EXPERIENCE
Taught by Verdi
The work at the export firm was terribly boring, and I learned very little. Work began at 7:30 in the morning and was over at 4 in the afternoon on weekdays and at noon on Saturdays. So I had lots of free time. Once a week I went to the opera.
On one of those evenings I went to hear an opera by the great 19th-century Italian composer, Giuseppe Verdi--the last opera he wrote, Falstaff. It has now become one of Verdi's most popular operas, but it was rarely performed then. Both singers and audiences thought it too difficult. I was totally overwhelmed by it. Although I had heard a great many operas, I had never heard anything like that. I have never forgotten the impression that evening made on me.
When I made a study, I found that this opera, with its gaiety, its zest for life, and its incredible vitality, was written by a man of 80! To me 80 was an incredible age. Then I read what Verdi himself had written when he was asked why, at that age, when he was already a famous man and considered one of the foremost opera composers of his century, he had taken on the hard work of writing one more opera, and an exceedingly demanding one. "All my life as a musician," he wrote, "I have striven for perfection. It has always eluded me. I surely had an obligation to make one more try."
I have never forgotten those words--they made an indelible impression on me. When he was 18 Verdi was already a seasoned musician. I had no idea what I would become, except that I knew by that time that I was unlikely to be a success exporting cotton textiles. But I resolved that whatever my life's work would be, Verdi's words would be my lodestar. I resolved that if I ever reached an advanced age, I would not give up but would keep on. In the meantime I would strive for perfection, even though, as I well knew, it would surely always elude me.
THE SECOND EXPERIENCE
Taught by Phidias
It was at about this same time, and also in Hamburg during my stay as a trainee, that I read a story that conveyed to me what perfection means. It is a story of the greatest sculptor of ancient Greece, Phidias. He was commissioned around 440 b.c. to make the statues that to this day stand on the roof of the Parthenon, in Athens. They are considered among the greatest sculptures of the Western tradition, but when Phidias submitted his bill, the city accountant of Athens refused to pay it. "These statues," the accountant said, "stand on the roof of the temple, and on the highest hill in Athens. Nobody can see anything but their fronts. Yet you have charged us for sculpting them in the round--that is, for doing their back sides, which nobody can see."
"You are wrong," Phidias retorted. "The gods can see them." I read this, as I remember, shortly after I had listened to Falstaff, and it hit me hard. I have not always lived up to it. I have done many things that I hope the gods will not notice, but I have always known that one has to strive for perfection even if only the gods notice.
THE THIRD EXPERIENCE
Taught by Journalism
A few years later I moved to Frankfurt. I worked first as a trainee in a brokerage firm. Then, after the New York stock-market crash, in October 1929, when the brokerage firm went bankrupt, I was hired on my 20th birthday by Frankfurt's largest newspaper as a financial and foreign-affairs writer. I continued to be enrolled as a law student at the university because in those days one could easily transfer from one European university to any other. I still was not interested in the law, but I remembered the lessons of Verdi and of Phidias. A journalist has to write about many subjects, so I decided I had to know something about many subjects to be at least a competent journalist.
The newspaper I worked for came out in the afternoon. We began work at 6 in the morning and finished by a quarter past 2 in the afternoon, when the last edition went to press. So I began to force myself to study afternoons and evenings: international relations and international law; the history of social and legal institutions; finance; and so on. Gradually, I developed a system. I still adhere to it. Every three or four years I pick a new subject. It may be Japanese art; it may be economics. Three years of study are by no means enough to master a subject, but they are enough to understand it. So for more than 60 years I have kept on studying one subject at a time. That not only has given me a substantial fund of knowledge. It has also forced me to be open to new disciplines and new approaches and new methods--for every one of the subjects I have studied makes different assumptions and employs a different methodology.
THE FOURTH EXPERIENCE
Taught by an Editor-in-Chief
The next experience to report in this story of keeping myself intellectually alive and growing is something that was taught by an editor-in-chief, one of Europe's leading newspapermen. The editorial staff at the newspaper consisted of very young people. At age 22 I became one of the three assistant managing editors. The reason was not that I was particularly good. In fact, I never became a first-rate daily journalist. But in those years, around 1930, the people who should have held the kind of position I had--people age 35 or so--were not available in Europe. They had been killed in World War I. Even highly responsible positions had to be filled by young people like me.
The editor-in-chief, then around 50, took infinite pains to train and discipline his young crew. He discussed with each of us every week the work we had done. Twice a year, right after New Year's and then again before summer vacations began in June, we would spend a Saturday afternoon and all of Sunday discussing our work over the preceding six months. The editor would always start out with the things we had done well. Then he would proceed to the things we had tried to do well. Next he reviewed the things where we had not tried hard enough. And finally, he would subject us to a scathing critique of the things we had done badly or had failed to do. The last two hours of that session would then serve as a projection of our work for the next six months: What were the things on which we should concentrate? What were the things we should improve? What were the things each of us needed to learn? And a week later each of us was expected to submit to the editor-in-chief our new program of work and learning for the next six months. I tremendously enjoyed the sessions, but I forgot them as soon as I left the paper.
Almost 10 years later, after I had come to the United States, I remembered them. It was in the early 1940s, after I had become a senior professor, started my own consulting practice, and begun to publish major books. Since then I have set aside two weeks every summer in which to review my work during the preceding year, beginning with the things I did well but could or should have done better, down to the things I did poorly and the things I should have done but did not do. I decide what my priorities should be in my consulting work, in my writing, and in my teaching. I have never once truly lived up to the plan I make each August, but it has forced me to live up to Verdi's injunction to strive for perfection, even though "it has always eluded me" and still does.
THE FIFTH EXPERIENCE
Taught by a Senior Partner
My next learning experience came a few years after my experience on the newspaper. From Frankfurt I moved to London in 1933, first working as a securities analyst in a large insurance company and then, a year later, moving to a small but fast-growing private bank as an economist and the executive secretary to the three senior partners. One, the founder, was a man in his seventies; the two others were in their midthirties. At first I worked exclusively with the two younger men, but after I had been with the firm some three months or so, the founder called me into his office and said, "I didn't think much of you when you came here and still don't think much of you, but you are even more stupid than I thought you would be, and much more stupid than you have any right to be." Since the two younger partners had been praising me to the skies each day, I was dumbfounded.
And then the old gentlemen said, "I understand you did very good securities analysis at the insurance company. But if we had wanted you to do securities-analysis work, we would have left you where you were. You are now the executive secretary to the partners, yet you continue to do securities analysis. What should you be doing now, to be effective in your new job?" I was furious, but still I realized that the old man was right. I totally changed my behavior and my work. Since then, when I have a new assignment, I ask myself the question, "What do I need to do, now that I have a new assignment, to be effective?" Every time, it is something different. Discovering what it is requires concentration on the things that are crucial to the new challenge, the new job, the new task.
THE SIXTH EXPERIENCE
Taught by the Jesuits and the Calvinists
Quite a few years later, around 1945, after I had moved from England to the United States in 1937, I picked for my three-year study subject early modern European history, especially the 15th and 16th centuries. I found that two European institutions had become dominant forces in Europe: the Jesuit Order in the Catholic South and the Calvinist Church in the Protestant North. Both were founded independently in 1536. Both adopted the same learning discipline.
Whenever a Jesuit priest or a Calvinist pastor does anything of significance--making a key decision, for instance--he is expected to write down what results he anticipates. Nine months later he traces back from the actual results to those anticipations. That very soon shows him what he did well and what his strengths are. It also shows him what he has to learn and what habits he has to change. Finally, it shows him what he has no gift for and cannot do well. I have followed that method for myself now for 50 years. It brings out what one's strengths are--and that is the most important thing an individual can know about himself or herself. It brings out areas where improvement is needed and suggests what kind of improvement is needed. Finally, it brings out things an individual cannot do and therefore should not even try to do. To know one's strengths, to know how to improve them, and to know what one cannot do--they are the keys to continuous learning.
THE SEVENTH EXPERIENCE
Taught by Schumpeter
One more experience, and then I am through with the story of my personal development. At Christmas 1949, when I had just begun to teach management at New York University, my father, then 73 years old, came to visit us from California. Right after New Year's, on January 3, 1950, he and I went to visit an old friend of his, the famous economist Joseph Schumpeter. My father had already retired, but Schumpeter, then 66 and world famous, was still teaching at Harvard and was very active as the president of the American Economic Association.
In 1902 my father was a very young civil servant in the Austrian Ministry of Finance, but he also did some teaching in economics at the university. Thus he had come to know Schumpeter, who was then, at age 19, the most brilliant of the young students. Two more-different people are hard to imagine: Schumpeter was flamboyant, arrogant, abrasive, and vain; my father was quiet, the soul of courtesy, and modest to the point of being self-effacing. Still, the two became fast friends and remained fast friends.
By 1949 Schumpeter had become a very different person. In his last year of teaching at Harvard, he was at the peak of his fame. The two old men had a wonderful time together, reminiscing about the old days. Suddenly, my father asked with a chuckle, "Joseph, do you still talk about what you want to be remembered for?" Schumpeter broke out in loud laughter. For Schumpeter was notorious for having said, when he was 30 or so and had published the first two of his great economics books, that what he really wanted to be remembered for was having been "Europe's greatest lover of beautiful women and Europe's greatest horseman--and perhaps also the world's greatest economist." Schumpeter said, "Yes, this question is still important to me, but I now answer it differently. I want to be remembered as having been the teacher who converted half a dozen brilliant students into first-rate economists."
He must have seen an amazed look on my father's face, because he continued, "You know, Adolph, I have now reached the age where I know that being remembered for books and theories is not enough. One does not make a difference unless it is a difference in the lives of people." One reason my father had gone to see Schumpeter was that it was known that the economist was very sick and would not live long. Schumpeter died five days after we visited him.
I have never forgotten that conversation. I learned from it three things: First, one has to ask oneself what one wants to be remembered for. Second, that should change. It should change both with one's own maturity and with changes in the world. Finally, one thing worth being remembered for is the difference one makes in the lives of people.
I am telling this long story for a simple reason. All the people I know who have managed to remain effective during a long life have learned pretty much the same things I learned. That applies to effective business executives and to scholars, to top-ranking military people and to first-rate physicians, to teachers and to artists. Whenever I work with a person, I try to find out to what the individual attributes his or her success. I am invariably told stories that are remarkably like mine.

Adapted from Drucker on Asia: The Drucker-Nakauchi Dialogue , by Peter F. Drucker and Isao Nakauchi, copyright © 1996. Reprinted with permission of Butterworth Heinemann, a division of Reed Educational and Professional Publishing Ltd. All rights reserved. Peter F. Drucker is Clarke Professor of Social Science and Management at Claremont Graduate School, in California. He can be reached by fax at 909-626-7366.






മരണത്തെ തോൽപ്പിച്ച പ്രണയം



മരണത്തെ തോൽപ്പിച്ച പ്രണയം


by സൂര്യ വി. 

kanchanamala-parvathy

parvathy-prithvi-vimal
വിമല്‍ പൃഥ്വിയ്ക്കും പാര്‍വതിയ്ക്കുമൊപ്പം
സ്വർഗ്ഗത്തിന്റെ കാവാടത്തിലൊരു ഫുട്ബോൾ കളി നടക്കുന്നുണ്ടെങ്കിൽ, അതിന്റെയാരവം ഇങ്ങ് ഭൂമിയിൽ കാഞ്ചനമാലയ്ക്ക് കേൾക്കാം. മേഘങ്ങളെ പ്രകമ്പനം കൊളിച്ച് നക്ഷത്രകുഞ്ഞുങ്ങളെ മൊയ്തീൻ ഗോളാക്കി മാറ്റുന്നത് കണ്ണടച്ചാൽ കാഞ്ചനമാലയ്ക്ക് കാണാം. ജാതയുടെയും മതത്തിന്റെയും മതൽക്കെട്ടുകളിലാതെ ഒരു മരണവാതിലിനപ്പുറം കാഞ്ചനയ്ക്കിന്നും മൊയ്തീനെ കാണാം, സംസാരിക്കാം, കത്തുകളിലൂടെ വിശേഷങ്ങൾ പങ്കുവെയ്ക്കാം.
ഒരുതുള്ളി കണ്ണുനീർ പോലും പൊഴിക്കാതെ ആർക്കും മൊയ്തീന്റെയും കാഞ്ചനമാലയുടെയും പ്രണയകഥ കേൾക്കാൻ പറ്റില്ല. പ്രണയത്തിന്റെ ജീവിക്കുന്ന താജ്മഹലാണ് 73 കാരിയായ കാഞ്ചനമാല. മരണത്തിനും തകർക്കാൻ കഴിയാത്ത മൊയ്തീൻ- കാഞ്ചനമാല പ്രണയം സിനിമയാവുകയാണ് ആർ.എസ്. വിമലിന്റെ സംവിധാനത്തിലൂടെ എന്ന് നിന്റെ മൊയ്തീൻ എന്ന പേരിൽ. മൊയ്തീനെക്കുറിച്ച്, കാഞ്ചനമാലയെക്കുറിച്ച്, അവരുടെ പ്രണയലേഖനങ്ങളെക്കുറിച്ചും, എന്ന് നിന്റെ മൊയ്തീൻ എന്ന സിനിമയുടെ വിശേഷങ്ങളെക്കുറിച്ച് സംവിധായകൻ ആർ.എസ്.വിമൽ മനസ്സ് തുറക്കുന്നു.

മുക്കത്തുകാരുടെ മൊയ്തീനെയും കാഞ്ചനമാലയേയും മലയാളിയ്ക്ക് പരിചയപ്പെടുത്തിതരാമോ?
മൊയ്തീൻ ഒരു കാലഘട്ടത്തിന്റെ ഹീറോയാണ്. 1960 മുതൽ 82 വരെയുള്ള മുക്കത്തിന്റെ കഥ മൊയ്തീന്റെ കഥയാണ്. മൊയ്തീൻ കൈവെയ്ക്കാത്ത മേഘലകളില്ല. മൊയ്തീൻ സഞ്ചരിക്കാത്ത ദേശങ്ങളില്ല. മൊയ്തീൻ സംസാരിക്കാത്ത ഭാഷകളില്ല. മൊയ്തീൻ ഫുട്ബോൾ കളിക്കാരനായിരുന്നു, സാമൂഹികപ്രവർത്തകനായിരുന്നു, എഴുത്തുകാരനായിരുന്നു, അതിനുമെല്ലാമപ്പുറം മൊയ്തീൻ ഒരു റെബല്ലായിരുന്നു. ഒഴുക്കിനെതിരെ നീന്തുന്ന വ്യക്തി. മലബാറിന്റെ ഷോമാനായിരുന്നു മൊയ്തീൻ.
prithvi
മൊയ്തീനെപ്പോലെ തന്നെ വിപ്ലവകാരിയായിരുന്നു കാഞ്ചനമാലയും. ഈ വിപ്ലവമാണ് രണ്ടുപേരെയും ഒന്നിപ്പിക്കുന്നത്. മുക്കത്തെ നാട്ടുപ്രമാണിയുടെ മകളായിരുന്നു കാഞ്ചനമാല, മൊയ്തീനും അതുപോലെ തന്നെ പേരുകേട്ട മുസ്ലീം കുടുംബത്തിലെ അംഗം. മൊയ്തീന്റെ അച്ഛൻ മുക്കത്തെ പഞ്ചായത്ത് പ്രസിഡന്റ് ആയിരുന്നു. അദ്ദേഹം അറിയാതെ ഒരു ഇലപോലും അനങ്ങാത്ത കാലം. ഈ സാഹചര്യത്തിലാണ് മൊയ്തീനും കാഞ്ചനമാലയും പ്രണയത്തിലാകുന്നത്. പ്രണയം വീട്ടിലറിഞ്ഞതോടെ കാഞ്ചനമാല വീട്ടുതടങ്കലിലായി. മൊയ്തീൻ മുഴുവൻ സമയം സാമൂഹിക പ്രവർത്തകനായി. എങ്കിലും പലവഴികളിലൂടെ അവർ ആയിരമായിരം കത്തുകൾ കൈമാറി. അവർക്ക് മാത്രം അറിയാവുന്ന ലിപികളിലൂടെ അവർ കത്തുകളെഴുതി. എന്റെ കാഞ്ചനക്കുട്ടിക്ക് എന്ന് നിന്റെ മൊയ്തീൻ എന്നെഴുതിയ കത്തുകളിലൂടെ 25 വർഷത്തെ വീട്ടുതടങ്കൽ കാലം കാഞ്ചന കഴിച്ചുകൂട്ടി. ഇരുവഴിഞ്ഞിപ്പുഴ മൊയ്തീനെ കട്ടെടുക്കും വരെ തുടർന്നു ഈ കത്തെഴുത്ത്. പിന്നീട് മൊയ്തീന്റെ കത്തുകളിലൂടെ കാഞ്ചനമാല ജീവിച്ചു. മരണത്തിനുമപ്പുറത്തുള്ള പ്രണയത്തിലേയ്ക്ക്. മൊയ്തീന്റെ മരണത്തിന് പത്ത് വർഷങ്ങൾക്ക് ശേഷമാണ് കബറിടം കാണാനുള്ള അവസരം പോലും കാഞ്ചനമാലയ്ക്ക് ലഭിയ്ക്കുന്നത്.
parvathy-kanchana
മൊയ്തീൻ- കാഞ്ചനമാല പ്രണയകഥ സിനിമയാക്കാൻ തീരുമാനിക്കുന്നതെങ്ങനെയാണ്?
കാഞ്ചനമാലയെക്കുറിച്ച് ജലം കൊണ്ട് മുറിവേറ്റവൾ എന്നൊരു ഡോക്യുമെന്ററി ചെയ്തു. 2006ലായിരുന്നു അത്. അന്നു തുടങ്ങിയ അടുപ്പമാണ് കാഞ്ചനമാലയുമായി. ആ അടുപ്പത്തിൽ നിന്നാണ് സിനിമ ചെയ്യാമെന്ന് തീരുമാനിക്കുന്നത്. ആശയം കാഞ്ചനമാലയോട് പറഞ്ഞപ്പോൾ ജീവിതകഥ സിനിമയാക്കാനുള്ള റൈറ്റ് അവർ തന്നു. അഞ്ച് വർഷത്തെ ഗവേഷണത്തിന് ശേഷമാണ് എന്ന് നിന്റെ മൊയ്തീനെന്ന സിനിമ ചെയ്യുന്നത്.
അഞ്ച് വർഷത്തെ ഗവേഷണത്തിന്റെ ആവശ്യമെന്തായിരുന്നു?
എന്ന് നിന്റെ മൊയ്തീൻ മലബാറിലെ 1960 മുതൽ 82 വരെയുള്ള കാലഘട്ടത്തിന്റെ സിനിമയാണ്. അതുകൊണ്ട് തന്നെ വേഷം, പശ്ചാത്തലം, ഭാഷ എല്ലാത്തിനും അതിന്റേതായ പ്രത്യേകതകളുണ്ട്.
moitheen-poster
സിനിമയെ വ്യത്യസ്തമാക്കുന്ന മറ്റ് പ്രത്യേകതകളെന്തെല്ലാമാണ്?
ആദ്യമായി പൂർണ്ണമായും ഡിജിറ്റൽ സ്റ്റോറിബോർഡിൽ ചെയ്യുന്ന സിനിമയാണ് എന്ന് നിന്റെ മൊയ്തീൻ. ഭാവിയിൽ അതിനെ ഇ-ബുക്ക് ആക്കാനുള്ള പദ്ധതിയുണ്ട്. സിനിമയുടെ പോസ്റ്ററുകളിൽ പോലും പ്രത്യേകയുണ്ട്. പഴയ ഈസ്റ്റ്മാൻ സെപിയ കളർടോണിലാണ് പോസറ്ററുകളുടെ ഡിസൈൻ. പിന്നെയുള്ള പ്രത്യേകത പൃഥ്വിരാജാണ്. ജീവിച്ചിരുന്ന ഒരു വ്യക്തിയെ പൃഥ്വിരാജ് വെള്ളിത്തിരയിലെത്തിയ്ക്കുന്നത് നാലമാത്തെ തവണയാണ്.
ക്ലാസ്മേറ്റ്സ്, തലപ്പാവ്, സെലുലോയിഡ് എന്നീ സിനിമകളിലാണ് പൃഥ്വിരാജ് നേരത്തെ ഇത്തരം കഥാപാത്രങ്ങൾക്ക് ജീവൻ നൽകുന്നത്. തലപ്പാവിന് ശേഷം പൃഥ്വിരാജ്ലാൽ കൂട്ടുകെട്ടിനുള്ള ശക്തമായ വേദി കൂടിയാണ് എന്ന് നിന്റെ മൊയ്തീൻ. മൊയ്തീന്റെ പിതാവ് ഉണ്ണിമൊയീൻ സാഹിബിനെ അനശ്വരമാക്കുന്നത് ലാലാണ്. മൊയ്തീന്റെ അമ്മയുടെ വേഷത്തിലെത്തുന്നത് ലെനയാണ്. അങ്ങനെ നിരവധി പ്രത്യേകതകളുള്ള സിനിമയാണ് എന്ന് നിന്റെ മൊയ്തീൻ.
graphic-poster
പൃഥ്വിരാജ്-പാർവതി ജോഡികളിലേയ്ക്ക് വരുന്നതെങ്ങനെയാണ്?
കാഞ്ചനമാലയുടെ ആഗ്രഹപ്രകാരം കൂടിയാണ് പൃഥ്വി മൊയ്തീനാക്കുന്നത്. എന്നെങ്കിലും സ്വന്തം കഥ സിനിമയാക്കുകയാണെങ്കിൽ പൃഥ്വിയെ നായകനാക്കണമെന്ന് അവർക്ക് ആഗ്രഹമുണ്ടായിരുന്നു. ഇന്ന് മലയാളസിനിമയിൽ മൊയ്തീനുമായി ഒരുപാട് സാദൃശ്യമുള്ള ഏക നടൻ പൃഥ്വിരാജാണ്. ഏത് ആൾകൂട്ടത്തിൽ നിന്നാലും മൊയ്തീനെ തിരിച്ചറിയാൻ സാധിക്കും. അത്തരമൊരു ആകർഷണീയതയുള്ള ആളായിരുന്നു മൊയ്തീൻ. അയാളുടെ വെള്ളാരംകണ്ണുകളും, പൊക്കവും ശബ്ദവുമെല്ലാം പൃഥ്വിയുമായി ഒരുപാട് ഇണങ്ങുന്നതാണ്.
കുറച്ച് സിനിമകളിലൂടെ തന്നെ നല്ല അഭിനയത്രിയെന്ന പേരെടുത്ത വ്യക്തിയാണ് പാർവതി. പാർവതിയുടെ മരിയാനിലെ പ്രകടനമാണ് കാഞ്ചനമാലയാകാൻ പാർവതിയ്ക്ക് സാധിക്കുമെന്ന് തോന്നിപ്പിച്ചത്.
ഇരുവഴിഞ്ഞിപ്പുഴയും, പ്രകൃതിയും പ്രണയവും സിനിമയിലെ കഥാപാത്രമാണോ?
തീർച്ചയായുമാണ്, പ്രകൃതിയും, പുഴയും മഴയുമെല്ലാം എന്ന് നിന്റെ മൊയ്തീനിലെ അഭിവാജ്യ ഘടകളാണ്. പ്രണയം പറയാൻ പ്രകൃതിയോളം പറ്റുന്ന വേറൊന്നില്ല.

എന്നു നിന്‍റെ മൊയ്തീന്‍



" എന്നിലെ എല്ലിന്നാല്‍ പടച്ച പെണ്ണെ.... മുക്കത്തിലെ മണ്ണിലായി പിറന്ന പെണ്ണെ.... എന്നില്ലേ റൂഹിന്റെ പകുതിയല്ലെ... എന്നിലെ നൂരായി നീ നിറഞ്ഞതല്ലേ... എന്നിലെ വെളിച്ചവും നീയെ....
മുത്തായി മിന്നണ മാലയല്ലേ.... എന്നില്ലേ ഇഷ്ക്കിന്റെ നൂറെ...
ആരും കാണാ ഒളിയും നീയെ... എന്റെ കിത്താബിലെ പെണ്ണെ...
എന്റെ കിത്താബിലെ പെണ്ണെ..


Anas Nilambur എന്ന് നിന്റെ മൊയ്തീൻ കണ്ടു.. മിക്ക പടങ്ങളും കണ്ടു കഴിഞ്ഞ്‌ വീട്ടിൽ എത്തിയാൽ പിന്നെ അതിനെ കുറിച്ച്‌ ചിന്തിക്കാറേ ഇല്ല... അന്നയും റസൂലും , വർഷം തുടങ്ങിയ ചിത്രങ്ങൾ മാത്രാമാണു അടുത്ത കാലത്ത്‌ എന്നെ സങ്കടപെടുത്തിയത്‌ (കരയിപ്പിച്ചത്‌) ഇപ്പോൾ ഇതാ മൊയ്തീന്റെയും കാഞ്ജനയും എന്റെ മനസിനെ വല്ലാതെ എന്തൊക്കെയോ ആക്കി... ഒടുക്കത്തെ ഫീൽ... സമീപ കാലത്തൊന്നും ഇത്രയും മികച്ച പ്രണയ ചിത്രം ഞാൻ കണ്ടിട്ടില്ല.... ഒരോരോ കാലഘട്ടത്തിൽ വേറെ വേറേ പെണ്ണുങ്ങളെ പ്രണയികുന്നതല്ല യഥാർത്ത പ്രണയം എന്നാണു എന്റെ ഒരു ഇത്‌.. അതിമനോഹരമായ ഡയറക്ഷനും മ്യൂസിക്കും... എല്ലാവരും തകർത്തു അഭിനയിച്ചു.... പടത്തിനു പോയപ്പോൾ ഒരു സ്ലോ പടം പ്രദീക്ഷിച്ചാണു പോയത്‌... പക്ഷെ പടം ഒരു ഒന്നൊന്നര പടം തന്നെ ആയിരുന്നു.. ഒട്ടും തന്നെ ബോർ അടിച്ചില്ല... പടം കഴിഞ്ഞ്‌ റൂമിൽ എത്തിയിട്ടും മൊയ്തുവും കാഞ്ജനയും മനസിൽ നിന്നും വിട്ടു പോകുന്നില്ല .. പടം കഴിഞ്ഞപ്പോൾ 90 % ആൾക്കാരും എഴുന്നേറ്റ്‌ നിന്ന് കയ്യടിച്ചു (ബാക്കിയുള്ള 10% ആൾക്കാർക്ക്‌ കയ്യടിക്കാൻ ആഗ്രഹമുണ്ടെങ്കിലും മടി കൊണ്ടായിരിക്കും കയ്യടിക്കാതിരുന്നത്‌ ) കേരളത്തിൽ ഇനി വരാൻ പോകുന്നത്‌ കാഞ്ജന തരംഗം ആയിരിക്കും... ഇങ്ങനെ ഒരു ഗംഭീര ട്രീറ്റ്‌ തന്ന സംവിധായകനും ഈ സിനിമയിൽ പ്രവർത്തിച്ച എല്ലാവർക്കും ഒരുപാട്‌ നന്ദി....

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മത്തായി മണിയങ്ങാട്ട് പാല മരണത്തെ തോൽപ്പിച്ച ഒരു ഫുട്ബോൾ കളിക്കാരന്റെ അനശ്വോര പ്രണയത്തിന്റെ സംഭവ കഥ . അതാണീ സിനിമ . സ്വർഗ്ഗത്തിന്റെ കവാടത്തിലൊരു ഫുട്ബോൾ കളി നടക്കുന്നുണ്ടെങ്കിൽ, അതിന്റെയാരവം ഇങ്ങ് ഭൂമിയിൽ കാഞ്ചനമാലയ്ക്ക് കേൾക്കാം. മേഘങ്ങളെ പ്രകമ്പനം കൊളിച്ച് നക്ഷത്ര കുഞ്ഞുങ്ങളെ അസാമാന്യ മെയ് വഴക്കത്തോടെ മൊയ്തീൻ എന്ന ഫുട്ബോൾ കളിക്കാരൻ ഗോളാക്കി മാറ്റുന്നത് കണ്ണടച്ചാൽ കാഞ്ചനമാലയ്ക്ക് ലൈവ് ആയി കാണാം. എതിര് കളിക്കാര് തീര്ക്കുന്ന മാരകമായ ടാക്ളിങ്ങുകലോ ഫ്രീ കിക്കുകൾ നിഷ്ഫലമാക്കുന്ന പ്രധിരോധ മതിലുകളോ ഇല്ലാതെ ഒരു മരണവാതിലിനപ്പുറം കാഞ്ചനയ്ക്കിന്നും മൊയ്തീനെ കാണാം, സംസാരിക്കാം. ഒരുതുള്ളി കണ്ണുനീർ പോലും പൊഴിക്കാതെ ആർക്കും മൊയ്തീന്റെയും കാഞ്ചനമാലയുടെയും പ്രണയകഥ കേൾക്കാൻ പറ്റില്ല. പ്രണയത്തിന്റെ ജീവിക്കുന്ന താജ്മഹലാണ് 73 കാരിയായ കാഞ്ചനമാല.. പ്രേമം എന്ന വൃത്തികെട്ട സിനിമ സൃഷ്ട്ടിചെടുത്ത ട്രെൻഡ് മലയാള സിനിമയെ തന്നെ നശിപ്പിക്കുമെന് ന് പേടിച്ചിരുന്നു . എന്നാൽ മുക്കതുകാരുടെ കഥ ലോക സിനിമ പ്രേക്ഷകർ ഹൃദ്യപൂര്വ്വം ഏറ്റെടുത്തു . പ്രേമം സിനിമ പോലെ ഒരു ജനറേഷൻ ചിന്തകള്ക്ക് മാത്രം ഇഷ്ട്ടം തോന്നിപ്പിക്കാതെ കഥ മൂല്യമുള്ള നല്ല പ്രണയത്തിന്റെ ദ്രിശ്യാവിഷ്കാരത്തെ സിനിമ ആസ്വാദകർ അകമഴിഞ്ഞ് സ്വീകരിച്ചിരിക്കുന്നു . എന്ന് നിന്റെ മൊയിദീൻ ഈ സിനിമയെ എങ്ങനെ വിലയിരുത്തണം എന്നെനിക്കറിയില്ല .ചിരിപ്പിച്ചും ചിന്തിപ്പിച്ചും പ്രണയിപ്പിച്ചും കരയിപ്പിച്ചും ഒരു യഥാർത്ഥ ജീവിത കഥ .ആസ്വാദകരുടെ മനസ്സിൽ പ്രണയത്തിന്റെ കുളിർ മഴ പെയ്യിപ്പിച്ച്പ്രിത്വിരാജും പാർവതിയും അഭിനയത്തിന്റെ ലയന നൃത്തം ചവിട്ടി ഇതാണ് പ്രണയം.....ഇങ്ങനാവണം പ്രണയം,.അല്ലാതെ പ്രേമം സിനിമയിൽ കാണിക്കുന്നതുപോലെ ക്ളാസിലിരുന്ന് മദ്യപിക്കുന്നതോ പഠിപ്പിക്കുന്ന അധ്യാപികയെ കയറി പ്രണയിക്കുന്നതോ തന്നേക്കാൾ പത്തിരുപത് വയസ്സ് കുറവുള്ള പെങ്കൊച്ചിനെ കെട്ടുന്നതോ അല്ല...
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Shabeeb Shaabz എന്ന് നിന്റെ മൊയ്തീൻ കണ്ടു.. മിക്ക പടങ്ങളും കണ്ടു കഴിഞ്ഞ്‌ വീട്ടിൽ എത്തിയാൽ പിന്നെ അതിനെ കുറിച്ച്‌ ചിന്തിക്കാറേ ഇല്ല... അന്നയും റസൂലും , വർഷം തുടങ്ങിയ ചിത്രങ്ങൾ മാത്രാമാണു അടുത്ത കാലത്ത്‌ എന്നെ സങ്കടപെടുത്തിയത്‌ (കരയിപ്പിച്ചത്‌) ഇപ്പോൾ ഇതാ മൊയ്തീന്റെയും കാഞ്ജനയും എന്റെ മനസിനെ വല്ലാതെ എന്തൊക്കെയോ ആക്കി... ഒടുക്കത്തെ ഫീൽ... സമീപ കാലത്തൊന്നും ഇത്രയും മികച്ച പ്രണയ ചിത്രം ഞാൻ കണ്ടിട്ടില്ല.... ഒരോരോ കാലഘട്ടത്തിൽ വേറെ വേറേ പെണ്ണുങ്ങളെ പ്രണയികുന്നതല്ല യഥാർത്ത പ്രണയം എന്നാണു എന്റെ ഒരു ഇത്‌.. അതിമനോഹരമായ ഡയറക്ഷനും മ്യൂസിക്കും... എല്ലാവരും തകർത്തു അഭിനയിച്ചു.... പടത്തിനു പോയപ്പോൾ ഒരു സ്ലോ പടം പ്രദീക്ഷിച്ചാണു പോയത്‌... പക്ഷെ പടം ഒരു ഒന്നൊന്നര പടം തന്നെ ആയിരുന്നു.. ഒട്ടും തന്നെ ബോർ അടിച്ചില്ല... പടം കഴിഞ്ഞ്‌ റൂമിൽ എത്തിയിട്ടും മൊയ്തുവും കാഞ്ജനയും മനസിൽ നിന്നും വിട്ടു പോകുന്നില്ല .. പടം കഴിഞ്ഞപ്പോൾ 90 % ആൾക്കാരും എഴുന്നേറ്റ്‌ നിന്ന് കയ്യടിച്ചു (ബാക്കിയുള്ള 10% ആൾക്കാർക്ക്‌ കയ്യടിക്കാൻ ആഗ്രഹമുണ്ടെങ്കിലും മടി കൊണ്ടായിരിക്കും കയ്യടിക്കാതിരുന്നത്‌ ) കേരളത്തിൽ ഇനി വരാൻ പോകുന്നത്‌ കാഞ്ജന തരംഗം ആയിരിക്കും... ഇങ്ങനെ ഒരു ഗംഭീര ട്രീറ്റ്‌ തന്ന സംവിധായകനും ഈ സിനിമയിൽ പ്രവർത്തിച്ച എല്ലാവർക്കും ഒരുപാട്‌ നന്ദി....ഒരു പക്ഷെ ഈ സിനിമ കണ്ട് കഴിയുമ്പോൾ ചിലപ്പോൾ നമ്മളും പോയേക്കാം മുക്കത്തേക്ക...
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Kabeer Kt എന്ന് നിന്‍റെ മൊയ്ദീന്‍ അതിനി തങ്ക ലിബികളാല്‍ ജന ഹൃദയങ്ങളില്‍ എഴുതപ്പെടും അത് തീര്‍ച്ച ഒരായിരം അഭിനന്ധനങ്ങള്‍ വിമല്‍ സര്‍ ആന്‍ഡ്‌ ടീം. ഇതിലൊരു ചെറിയ ഭാഗം ആവാന്‍ സാദിച്ചതില്‍ ഞാന്‍ അഭിമാനിക്കുന്നു അധിനവസരം തന്ന വിമല്‍ സര്‍ ഒത്തിരി നന്ദിയുണ്ട്.
ഈ സിനിമയു
ടെ ഒരു വിധം ഷോട്ടുകളും കണ്ട ഒരാള്‍ ആണ് ഞാന്‍ എന്നിട്ട് പോലും കരഞ്ഞു പോയി ആദ്യ ഷോ കണ്ടിറങ്ങി ഇത്ര സമയമായിട്ടു പോലും മോയ്ദീനും കാഞ്ചന മാലയും മനസ്സില്‍ നിന്ന് മായുന്നില്ല, പ്രിതിരാജ് ഏട്ടന്‍ സമ്മദിക്കണം അങ്ങയുടെ അര്‍പ്പണ ബോധഠ ഒരിക്കല്‍ കൂടി ഒരു സിനിമയെ അത്യുന്നതങ്ങളില്‍ എത്തിച്ചു, ഓരോരുത്തരും ജീവിക്കുകയായിരുന്നു ഈ സിനിമയില്‍, പ്രേമം അത് എങ്ങനെ എന്ന് പ്രേമിച്ചവര്‍ക്കും പ്രേമിക്കാതവര്‍ക്കും ഇന്ന് മുതല്‍ മൊയ്ദീന്‍ കാഞ്ചന പറഞ്ഞു തരും. ഒരിക്കല്‍ കൂടി കാണണമെന്ന പ്രേക്ഷകരുടെ വാക്കുകള്‍ കേട്ടാണ് തിയറ്റര്‍ കവാടം തുറന്നത്.....കബീര്‍ പട്ടാമ്പി

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Shyam Ks ഇന്ന് വെള്ളിയാഴ്ച്ച അല്ലെങ്കിലും പ്രാന്തന് നേരത്തെ തന്നെ എഴുനേറ്റ് തിയേറ്ററിലോട്ടു പോയി. കാരണം ഇന്നലെ റിലീസ് ചെയ്യാനിരുന്ന ചിത്രങ്ങള് ഇന്നാണല്ലോ എത്തിയത്. ആദ്യം പ്രാന്തന് പോയത് അനശ്വര പ്രണയത്തിന്റെ ജീവിച്ചിരിക്കുന്ന കഥാനായികയെ കാണാനാണ്, കാഞ്ചനമാലയെ.. പിന്നെ അവളുടെ സ്വന്തം മൊയ്തീനെയും. മുക്കത്തിന്റെ മുത്തായ മൊയ്തീന്. ട്രെയിലറും, പാട്ടും ഒക്കെ കണ്ടപ്പഴേ ഉറപ്പിച്ചതാ ഇതിനുമുന്പ് ഇതുപോലൊരു പ്രണയം വെള്ളിത്തിരയില്‍ വന്നിട്ടില്ലാന്ന്.. അത് എഴുതി ഉറപ്പിക്കും വിധം ആയിരുന്നു തിയേറ്ററില് ചിത്രം കഴിഞ്ഞതിനു ശേഷമുള്ള പ്രേക്ഷക സ്വീകരണം.. ഇനി മൊയ്തീന്റേം കാഞ്ചനമാലയുടേയും പ്രണയ കാലം.....!! മത സൗഹാർദ്ദം വിളിചോധുന്ന മുക്കം, എല്ലാവരെയും പ്രണയിക്കാൻ മാത്രമറിയുന്ന നാട്... അവിടെ തുടങ്ങുന്നു ഈ പ്രണയ കാവ്യം. മുക്കത്തെ പ്രശസ്തമായ രണ്ടു കുടുംബങ്ങള് കാഞ്ചനമാലയുടെയും, മൊയ്തീന്റെയും കുടുംബങ്ങളാണ്. ഇന്ത്യന് നാഷ്ണല് കോണ്ഗ്രെസ്ന്റ െ നേതാവായിരുന്ന വാപ്പക്കെതിരെ ശബ്ധമുയര്ത്തിയ സോഷ്യലിസ്റ്റ്കാരനായ മകന്. അതായിരുന്നു മൊയ്തീന്. മനസിലുള്ള എന്തും തുറന്നുപറയാന് ദൈര്യമുള്ളവന്, ചങ്കൂറ്റമുള്ളവന്. മഴപോലെയായിരുന്നു മൊയ്തീന്റെയും കാഞ്ചനമാലയുടേയും പ്രണയം. ഒരു ഹിന്ദു, മുസ്ലിം പ്രണയകഥ. അതിങ്ങനെ പെയ്തുകൊണ്ടേയിരുന്നു .. വളരെ മെല്ലെ സംവിധായകന് വിമല്, ആ പ്രണയം പ്രേക്ഷകരിലേക്ക് പകരുകയായിരുന്നു. ഇടയില് പ്രേക്ഷകരെ രസിപ്പിക്കാന് ചെറിയ കുസൃതികളും. ഈ പ്രണയം വായിച്ചറിയെണ്ടതും, കേട്ടറിയെണ്ടതും അല്ലാ. കണ്ടുതന്നെ അറിയണം, അനുഭവിച്ചറിയണം. കാരണം കാഞ്ചനയുടെയും, മൊയ്തീന്റെയും ഒത്തുചേരലിനെ വിധി എതിര്ത്തത് പല കാരണങ്ങള് ഉണ്ടാക്കികൊണ്ടാ യിരുന്നു. "ഇരവഴിഞ്ഞി പുഴ അറബികടലിനുള്ളതാണെങ്കിൽ കാഞ്ചന മൊയ്തീനുള്ളതാ" എന്ന് ഓരോവട്ടം കേള്ക്കുമ്പോഴും ഏതൊരു പ്രേക്ഷകനും ആഗ്രഹിച്ചുപോകും ഇവര് ഒന്നിക്കണേ എന്ന്. പറയാതെ വയ്യല്ലോ..പ്രാന്തനും ആശിച്ചു. ചിത്രം കാണുമ്പോള് നിങ്ങളും ആഗ്രഹിച്ചു പോകും.. അത്രമേല് ആഴത്തില് ഈ പ്രണയം നിങ്ങളുടെ മനസ്സുകളില് പതിയുമെന്ന് പ്രാന്തന് ഉറപ്പുണ്ട്. പ്രിഥ്വിരാജ്, പാര്വതി, ടോവിനോ, സായ്കുമാര്, ബാല, സുധീര് കരമന, ലെന എന്നിവരുടെ ഉഗ്രന് പെര്ഫോര്മന്സ് ആണ് ചിത്രത്തില്. മൊയ്തീൻ എന്ന പ്രണയത്തിന്റെ മഴ മനുഷ്യായുസു മുഴുവൻ നനയാൻ സ്വയം തീരുമാനിച്ചവളാണ് കാഞ്ചന, ആ കഥാപാത്രം പാര്വതിയുടെ കൈകളില് ഭദ്രമായിരുന്നു. എല്ലാവരെയും അമ്പരിപ്പിക്കുന ്ന പെര്ഫോര്മന്സ്.. പക്ഷെ എല്ലാരെക്കാളും മുകളില് നില്ക്കുന്നത് എന്ന് പ്രാന്തന് തോനിയ രണ്ടു വ്യക്തികളുണ്ട്, ജോമോന് ടി ജോണും, ഗോപി സുന്ദറും. ഈ മച്ചാന്മാര് തകര്ത്തു. കാഞ്ചനയെയു മൊയ്തീനെയും കാണിക്കുന്ന ഓരോ സീനിലും ഇവരുടെ കരവിരുതാണ് പ്രേക്ഷകരിലേക്ക് ഈ പ്രണയ പുഷ്പ്പങ്ങളെ അടുപ്പിചിരുത്തുന്നത്. വാക്കാണ് ഏറ്റവും വലിയ സത്യം, ഇനി മൊയ്തീന്റേം കാഞ്ചനമാലയുടേയും പ്രണയ കാലം...!! അപ്പൊ ഒട്ടും മടിക്കണ്ടാ, മുക്കത്ത് ഇപ്പോഴും ജീവിച്ചിരിക്കുന കാഞ്ചനമാലയുടെ ഈ പ്രണയമഴകാണാന് ടിക്കറ്റ് എടുത്തോള്ളു. ഒരുപക്ഷെ ഈ സിനിമ കണ്ട് കഴിയുമ്പോൾ ചിലപ്പോൾ നമ്മളും പോയേക്കാം മുക്കത്തേക്ക്.    
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Ennu Ninte Moidheen; A perfect comeback of our golden classic Malayalam Cinema.

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Debutant RS Vimal directed Ennu Ninte Moidheen remembering us the golden periods of Classic Malayalam Cinema. The film features Prithviraj Sukumaran as Moidheen and Parvathy as Kanjanamaala, in lead roles. This film produced by Suresh, Ragi and Benoy under the banner of Newton films. They deserves a big big credits, because this film is a big budget one and without their trust in director Vimal, the film couldn’t possible to happen. But their trust in director succeed now.
The film told us the divine realistic love story of Moidheen and Kanjamaala. The film fully engaged with their soulful love from the beginning to the end. Vimal created an extra ordinary screen play to narrates the story. The love of Moidheen and Kanjanamala, their troubles with the problem of intercaste matters, their sorrows and little happiness, all were beautifully narrated in the film. One thing is, No one can watch the movie without a single tears. That much of depth and touching elements are in the film, many goosebumps moments too.
Director Vimal marks his debut as a history through Ennu Ninte Moidheen. No more words. Kudos to the frame maker Jomon T John.The cinematography was outstanding and one of the best we ever seen in recent times. So elegant visuals with natural beauties can seen throughout in the film. Such a class visuals and making. Editing was perfectly did by Mahesh Narayan. The Music done by M.Jayachandran and Ramesh Narayan gives their best. The feeling that gets while watching the songs with classy visuals are beyond the descriptions.
The performance of Prithviraj and Paravathy makes us goosebumps in almost every scene they met. The carrier best of Parvathy and yet another golden feather for actor Prithviraj in his carrier. He delivers the ever best he can give as an actor. The screen presence of Prithviraj and Parvathy were mind blowing. The rest cast includes Bala, Tovino, Sai Kumar, Lena, Sudheer Karamana, Sivaji Guruvayoor, Sudheesh, Vyga and indrans etc. Bala played the role Kottattil Sethu, were an important one in the film. He did it superbly. This film will be better comeback for him for sure. Tovino played the role of Perumbadappil Appu, will be a landmark role for the raising star. Sai Kumar played the father role of Moidheen and Lena as in Mother role ( Unnimoidheen Sahib and Paathumma ). Both were powerful and more crucial roles. Lena’s performance in Climax scenes were brilliant. Sai Kumar delivers his acting skills with an amazing performance as a Muslim Congress leader. Sudheer Karamana did his parts well as the communist friend of Moidheen. The main thing is he narrating the story of Moidheen and Kanjanmaala in the film. All the rest characters are superbly executed for making this film more beautiful.
In all manner film will be a classy treatment to the audience. Surely touches our hearts. After you watches the movie Moidheen and Kanjanamala will be with you, as close to your heart. That much of feel included in the film. Such a brilliant making by RS Vimal. He will become one of the top director of our industry soon. His making will amaze you. Hats off to the entire team of Ennu Ninte Moidheen for giving this soulful and ever memorable love story to us. Don’t miss. This film is a must watchable one for all kind of audience who loves to watch good films.
We proudly recommend other to watch this movie. Because the movie is a must watch in all manner. Simply, Malayalam cinema gets an extra-ordinary love story ever told through Ennu Ninte Moidheen.


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Ennu Ninte Moidheen; A perfect comeback of our golden classic Malayalam Cinema.

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Debutant RS Vimal directed Ennu Ninte Moidheen remembering us the golden periods of Classic Malayalam Cinema. The film features Prithviraj Sukumaran as Moidheen and Parvathy as Kanjanamaala, in lead roles. This film produced by Suresh, Ragi and Benoy under the banner of Newton films. They deserves a big big credits, because this film is a big budget one and without their trust in director Vimal, the film couldn’t possible to happen. But their trust in director succeed now.
The film told us the divine realistic love story of Moidheen and Kanjamaala. The film fully engaged with their soulful love from the beginning to the end. Vimal created an extra ordinary screen play to narrates the story. The love of Moidheen and Kanjanamala, their troubles with the problem of intercaste matters, their sorrows and little happiness, all were beautifully narrated in the film. One thing is, No one can watch the movie without a single tears. That much of depth and touching elements are in the film, many goosebumps moments too.
Director Vimal marks his debut as a history through Ennu Ninte Moidheen. No more words. Kudos to the frame maker Jomon T John.The cinematography was outstanding and one of the best we ever seen in recent times. So elegant visuals with natural beauties can seen throughout in the film. Such a class visuals and making. Editing was perfectly did by Mahesh Narayan. The Music done by M.Jayachandran and Ramesh Narayan gives their best. The feeling that gets while watching the songs with classy visuals are beyond the descriptions.
The performance of Prithviraj and Paravathy makes us goosebumps in almost every scene they met. The carrier best of Parvathy and yet another golden feather for actor Prithviraj in his carrier. He delivers the ever best he can give as an actor. The screen presence of Prithviraj and Parvathy were mind blowing. The rest cast includes Bala, Tovino, Sai Kumar, Lena, Sudheer Karamana, Sivaji Guruvayoor, Sudheesh, Vyga and indrans etc. Bala played the role Kottattil Sethu, were an important one in the film. He did it superbly. This film will be better comeback for him for sure. Tovino played the role of Perumbadappil Appu, will be a landmark role for the raising star. Sai Kumar played the father role of Moidheen and Lena as in Mother role ( Unnimoidheen Sahib and Paathumma ). Both were powerful and more crucial roles. Lena’s performance in Climax scenes were brilliant. Sai Kumar delivers his acting skills with an amazing performance as a Muslim Congress leader. Sudheer Karamana did his parts well as the communist friend of Moidheen. The main thing is he narrating the story of Moidheen and Kanjanmaala in the film. All the rest characters are superbly executed for making this film more beautiful.
In all manner film will be a classy treatment to the audience. Surely touches our hearts. After you watches the movie Moidheen and Kanjanamala will be with you, as close to your heart. That much of feel included in the film. Such a brilliant making by RS Vimal. He will become one of the top director of our industry soon. His making will amaze you. Hats off to the entire team of Ennu Ninte Moidheen for giving this soulful and ever memorable love story to us. Don’t miss. This film is a must watchable one for all kind of audience who loves to watch good films.
We proudly recommend other to watch this movie. Because the movie is a must watch in all manner. Simply, Malayalam cinema gets an extra-ordinary love story ever told through Ennu Ninte Moidheen.


Read more at: http://www.cinemamaxx.com/reviews/ennunintemoideen/
© cinemamaxx.com


In all manner film will be a classy treatment to the audience. Surely touches our hearts. After you watches the movie Moidheen and Kanjanamala will be with you, as close to your heart. That much of feel included in the film. Such a brilliant making by RS Vimal. He will become one of the top director of our industry soon. His making will amaze you. Hats off to the entire team of Ennu Ninte Moidheen for giving this soulful and ever memorable love story to us. Don’t miss. This film is a must watchable one for all kind of audience who loves to watch good films.
We proudly recommend other to watch this movie. Because the movie is a must watch in all manner. Simply, Malayalam cinema gets an extra-ordinary love story ever told through Ennu Ninte Moidheen.


Read more at: http://www.cinemamaxx.com/reviews/ennunintemoideen/
© cinemamaxx.com

Friday, September 18, 2015

The Age of the Unthinkable














Today the very ideas that made America great imperil its future. Our plans go awry and policies fail. History's grandest war against terrorism creates more terrorists. Global capitalism, intended to improve lives, increases the gap between rich and poor. Decisions made to stem a financial crisis guarantee its worsening. Environmental strategies to protect species lead to their extinction.

The traditional physics of power has been replaced by something radically different. In The Age of the Unthinkable, Joshua Cooper Ramo puts forth a revelatory new model for understanding our dangerously unpredictable world. Drawing upon history, economics, complexity theory, psychology, immunology, and the science of networks, he describes a new landscape of inherent unpredictability--and remarkable, wonderful possibility.
 -amazon.com

Wednesday, September 16, 2015

Why My Former Employees Still Work for Me

Why My Former Employees Still Work for Me

From the January–February 1994 Issue
I own a manufacturing company in Brazil called Semco, about which I can report the following curious fact: no one in the company really knows how many people we employ. When we walk through our manufacturing plants, we rarely even know who works for us. Some of the people in the factory are full-time Semco employees; some work for us part-time; some work for themselves and supply Semco with components or services; some work for themselves under contract to outside companies (even Semco’s competitors); and some of them work for each other. We could decide to find out which is which and who is who, but for two good reasons we never bother. First, the employment and contractual relationships are so complex that describing them all would take too much time and trouble. Second, we think it’s all useless information.
Semco has long been a laboratory for unusual employment and management practices. What we’re now engaged in might be called a radical experiment in unsupervised, in-house, company-supported satellite production of goods and services for sale to Semco itself and to other manufacturers by employees, part-time employees, ex-employees, and people who have never had any connection with Semco whatsoever (but who work on our premises and on our equipment). This is not at all the same thing as outsourcing. This is a borderless system of short-term, noncontractual task assignment often using Semco’s own fixed assets, some of it in Semco plants and some dispersed at a dozen sites that don’t belong to the company.
This satellite program, as we call it, sounds chaotic, can be frustrating, and is in some ways uncontrollable. It requires daily leaps of faith. It has serious implications for corporate culture. It has destroyed any semblance of corporate security. And, for the three years it has been in place, it seems to be working very well. Since 1990, 28% of Brazilian capital goods manufacturers have gone bankrupt. In 1990, 1991, and 1992, Brazilian gross industrial product fell by 14%, 11%, and 9%, respectively. Capital goods output has fallen back to what it was in 1977. But in this same period, Semco’s overall sales and profits have remained intact, and I attribute the difference first and foremost to our satellite production.
Ever since I took over the company 12 years ago, Semco has been unorthodox in a variety of ways. I believe in responsibility but not in pyramidal hierarchy. I think that strategic planning and vision are often barriers to success. I dispute the value of growth. I don’t think a company’s success can be measured in numbers, since numbers ignore what the end user really thinks of the product and what the people who produce it really think of the company. I question the supremacy of talent, too much of which is as bad as too little. I’m not sure I believe that control is either expedient or desirable.
I think that strategic planning and vision are often barriers to success.
I don’t govern Semco—I own the capital, not the company—but on taking over from my father, I did try to reconstruct the company so that Semco could govern itself on the basis of three values: employee participation, profit sharing, and open information systems. We’ve introduced idiosyncratic features like factory-floor flextime, self-set salaries, a rotating CEO-ship, and, from top to bottom—from the owner to the newest, greenest maintenance person—only three levels of hierarchy.
You might say that what we practice is an extreme form of common sense: “common” because there’s nothing we do that thousands of other people didn’t think of ages ago, “extreme” because we actually do it. Another way of looking at Semco is to say that we treat our employees like responsible adults. We never assume that they will take advantage of us or our rules (or our lack of rules); we always assume they will do their level best to achieve results beneficial to the company, the customer, their colleagues, and themselves. As I put it in an earlier article in HBR, participation gives people control of their work, profit sharing gives them a reason to do it better, information tells them what’s working and what isn’t.
With rare exceptions, this approach has been successful. We’ve had two or three strikes, but they were quickly settled, especially once the strikers saw that we would neither lock them out of the plant nor suspend their benefits during the work stoppage. (They were able to plan ongoing strike tactics while eating lunch in the company cafeteria.) We’ve had a few employees take wholesale advantage of our open stockrooms and trusting atmosphere, but we were lucky enough to find and prosecute them without putting in place a lot of insulting watchdog procedures for the nine out of ten who are honest. We’ve seen a few cases of greed when people set their own salaries too high. We’ve tried a few experiments that we later backed away from. We’ve had to accept occasional democratic decisions that management disliked, but we learned to swallow hard and live with them.
On the whole, as I say, our approach has worked. Loyalty is high, quality is excellent, and sales and profits are surprisingly good for a manufacturing company in one of the world’s most lunatic business environments. But in Brazil no state of the economy is permanent. Few last long enough to be called temporary. Surviving the ups and downs of the Brazilian economy is a little like riding a Brahma bull. It is even more like riding a Brahma bull in an earthquake. Some of the worst jolts come not from the bull but the landscape.
In 1990, the jolt that sent us into our present experiment came from the minister of finance, who, believing Brazil’s inflation was simply the result of too much money being used for too much speculation, seized 80% of the country’s cash and introduced an extended period of economic bedlam. Employers could not meet payrolls. Consumer spending vanished. Business spending shuddered to a halt. Bankruptcies soared. Industrial output plummeted.
At Semco, we had several months of zero sales. After all, what company was going to buy machinery with a ten-month delivery when it didn’t know if it could last out the week? Worse yet, back orders were canceled, or we found that our customers had gone out of business. Our marine division alone had $1.5 million of receivables that we couldn’t hope to collect and $4 million worth of products that shipbuilders could no longer pay for. We had to rent warehouse space just to store all the unsold goods.
We cut costs. We organized workers into teams and sent them out to sell replacement parts directly to ships and restaurants. We cut down on coffee breaks, locked up the copiers, canceled orders for new uniforms, turned off all the lights we could find, scrimped on telephone calls. None of it was enough, and anyway, I don’t really believe in cost-cutting. I like to think we don’t waste money even when we’ve got it. And who can say how many sales we lose when we play Scrooge with the travel money or penny-pinch the phone bills?
Who can say how many sales we lose when we play Scrooge with travel money and phone calls?
Finally, we called the workers together in groups of 100 and discussed what we should do. They came up with lots of ideas, and we tried them without success until we reached a point where no one had anything else to propose and neither did we—except for two unhappy alternatives: cut pay or cut workforce. We thought we could avoid layoffs by cutting salaries 30% across the board until business picked up again. But a lot of people were already struggling with bills and rents and mortgages and wanted us to start laying people off instead, so that those who stayed could at least survive. We went on searching desperately for a third way out.
And then suddenly the shop-floor committee came to us and said, “Okay, we’ll take a 30% pay cut, but on three conditions.” The first was that we increase their profit sharing by 15%, from just under 24% to just under 39%, until they got back up to their former salary levels. The second was that management take a 40% pay cut. And the third was that a member of the union committee would co-sign every check we wrote; because the workers wanted to be absolutely certain that their sacrifice would be worthwhile, they wanted to oversee each and every expenditure.
Lower pay and higher profit sharing helped us profit in the leanest times.
Well, at that moment, we had no profits to share, so there was nothing for us to lose and everything to gain. And by the second month, we were actually covering expenses. In their drive to save, the workers took on more and more of the former contract work. They did security and cleaning, drove trucks, even cooked the food in the cafeteria. No expense went unchallenged, and for four or five months, we made a small profit in the worst economic times any of us had ever seen.
But we kept on looking for a better solution.
In the first place, pure cost reduction has to be a temporary measure. What about training, research, new product development, and all the other seemingly peripheral activities that produce profits over the long haul? Those weren’t responsibilities we could abdicate.
And what about those checks? The dual-signature scheme was working for the moment, but management couldn’t permanently yield its power of the purse to a person chosen by the union without management input or approval.
Yet the explosion of energy, inventiveness, and flexibility we’d been witnessing was hugely attractive. And when we then added in several other factors—the need to cut our standing labor costs, the demands of Brazilian labor law, the dynamic example of our own peculiar Nucleus of Technological Innovation, which I’ll come back to in a moment—what began taking shape was a radically new principle of organization.

The Thinkodrome at the Free-for-All Corporation

Years ago, in the mid-1980s, three Semco engineers proposed a new kind of work unit. They wanted to take a small group of people raised in Semco’s culture and familiar with its products and set them free. The new group would not have to worry about production problems, sales, inventory, equipment maintenance, delivery schedules, or personnel. Instead, they would invent new products, improve old ones, refine marketing strategies, uncover production inefficiencies, and dream up new lines of business. They would have no boss and no subordinates. They would pick their own focus, set their own agendas, and have complete freedom to change their minds. Twice a year they’d report to senior management, which would decide whether or not to keep them on for another six months.
The three engineers suggested we call the new unit the Nucleus of Technological Innovation (NTI) and somewhat predictably proposed themselves as its first three members. We bought their odd idea, and then we worked out an odd form of compensation to go along with it. Their guaranteed salaries went sharply down, but they would now share in the proceeds of their inventions, innovations, and improvements. They would receive a percentage of any savings they introduced, royalties on new products they devised, a share of the profits on their inventions, and they would also be free to sell consulting services on the open market. They might have done even better as truly independent entrepreneurs, but as NTI members, Semco would cushion them against disaster and give them the support of an established and well-equipped manufacturing operation.
By the end of their first six months, NTI had 18 projects under way, and over the next few years they uncorked such an array of inventions, changes, and refinements (one of my favorites is a scale that weighs freight trains moving at full speed) that NTI’s members began to prosper mightily and Semco became unthinkable without their constant innovation and reform.
By 1990, we’d begun to feel that we’d like to NTI the entire company, liberate more creativity, tie compensation even more specifically to performance, loosen the ties that bound us all together, and scramble our overall structure. The 30% pay-cut-and-cost-reduction scheme had given us a breathing space of several months, but with the Brazilian economy in a bucket and no imminent prospect of recovery, we had to become permanently leaner and more flexible. At the same time, of course, we had a commitment to our workforce that was central to the way we did business. That commitment had been our principal reason for trying to avoid layoffs.
For most other companies, there was another reason as well: Brazilian labor law protects laid-off workers by granting them several different forms of special compensation. The largest of these comes from an individual fund for each worker to which the employer contributes 8% of wages every month. When people are fired (or retire), they collect all this accumulated money, plus interest, in the form of a lump sum. Less substantial—but, unlike the 8% fund, a great problem for many employers—is severance pay itself, which is paid on the spot out of current income and which can amount to two years’ salary in the case of workers with many years’ seniority. By the end of 1990, a lot of Brazilian companies drifted slowly into bankruptcy rather than lay people off and go bankrupt overnight. With our finances still more or less intact, this widespread problem proved in our case to be an opportunity.
Semco’s sales had gradually increased again, and we were making enough money to restore salaries to where they had been before the 30% cut. We took back our check-signing privileges. We were surviving in a crisis economy, but only just, and we began to face the fact that we had to cut our permanent staff and contract more of our work. We looked hard for a way of doing it without destroying the support system that Semco people lived on. It was here that NTI’s free-form structure suggested a solution.
Instead of giving contracts out to strangers, we decided we could just as well give contracts to our own employees. We would encourage them to leave the Semco payroll and start their own satellite enterprises, doing work, at least initially, for Semco. Like NTI, these satellites could stay under our larger umbrella by leasing our machines, even working in our plant. Like NTI, they could also do work for other companies, again on our machines and in our factories. Like NTI, their compensation would take a variety of forms—contract payment, royalties, commissions, profit sharing, piecework, whatever they could think up that we both could live with. And like NTI, they could have some beginning guarantees. In particular, we would offer all of them some contract work to cut their teeth on, and we would defer the lease payments on all equipment and space for two full years.
Instead of giving contracts out to strangers, we decided we could just as well give the contracts to our own employees.
This satellite program would have obvious advantages for Semco. We could reduce our payroll, cut inventory costs by spreading out raw materials and spare parts among our new suppliers, and yet enjoy the advantage of having subcontractors who knew our business and the idiosyncrasies of our company and our customers. Moreover, we would pick up the benefit of entrepreneurial motivation. Because of profit sharing, our employees already worked evenings and weekends when necessary, without any prompting from management. Being in business for themselves ought to raise that sense of involvement higher still.
But what in heaven’s name were the advantages for our workers, who’d be giving up a secure nest at Semco for the risks of small business? And in the midst of economic bedlam? To begin with, of course, they all had the chance to make many times what they could earn at Semco—if the economy straightened out. Of course that was a big if. And should the recession persist, they might make less. But only assuming they continued to have a job at Semco, which was becoming an even bigger if with every day that passed. The fact was, they had distressingly few choices. And so did we.
What’s the benefit for workers to run a satellite? To begin with, a chance at bigger earnings.
We eased the transition in every way we could. We created a team of executives to teach cost control, pricing, maintenance, inventory management. To provide seed money, we gave people layoff payments on top of severance pay and all the other legally required benefits. Many also made use of their 8% nest-egg funds. No one had to start a satellite. Some took their severance and left. Some managed to stay on the payroll for months or for good. But despite the difficulties, satellites sprang up quickly. White-collar workers were the first. Our tax accountants, human resource staffers, and computer programmers all went off on their own. Then blue-collar workers in food service and refrigerations systems followed suit.
Today, about half the manufacturing we once did in-house has gone to satellites, and we think we can farm out another 10% to 20% in the coming years. Best of all, to this day only one satellite has failed. Some are expanding and looking for partners. Some satellite workers have been rehired by the company, and a few have moved repeatedly back and forth between satellite and employee status as needs—theirs and ours—shifted. Some satellites have broadened their scope so greatly that most of their time—often right on our premises, remember—is spent with customers and production partners who have no other connection with Semco whatsoever.
In 1990, Semco had about 500 employees. Today, we have about 200, plus at least that many in our satellites, with another 50 or 60 people who work for a satellite and also work for us part-time. We have employees with fixed salaries. We have employees with variable salaries made up of royalties or bonuses based on self-set objectives like cash flow, sales, profits, production units, or any one of a dozen other measures. We have employees with both fixed and variable salaries. All our employees share in our profits.
On the satellite side, compensation may take the form of a fixed fee, an hourly stipend, a percentage of increased sales, a finder’s fee, an honorarium, a retainer converting to an advance converting to a royalty, or even a simple win-or-lose commission. In one case, we had decided to kill a product-development project when one of our people picked it up from the table and said, “I’ll take it. If you’ll give me $1,000 a month, which will just pay my expenses, plus a 7% royalty for the first five years if I can make it work—I’ll take it.” So of course we gave it to him. The most we can lose is $1,000 a month, where we’d been spending $10,000 to $15,000 a month and getting nowhere. The most he can make is something like half a million, I’d guess, with the other 93% coming to Semco.
Once we posted a job for one engineer and got 1,430 résumés. We took them home in packs of a hundred, and then we interviewed for five months. In the end, we invited several dozen final candidates to a one-day seminar where we walked them through the entire company, opened our files, showed them everything we did, then asked them for proposals. We wound up hiring 41 engineers—one salaried employee and 40 satellite workers whom we paid on various forms of percentage-based commission.
We owe Semco’s survival to workers who ask: Why can’t we do it better?
In one of our plants, we’ve set aside a large room full of desks and computers to give everyone within our company sphere and, for all we know, a variety of guests and visitors from well beyond it, a place to sit and plan and ask questions and solve problems. We call it the Thinkodrome, and it’s a busy, quiet place. That Semco survives at all we owe in large part to surrounding ourselves with people who look at everything we do and ask why we can’t do it better or cheaper or faster or in some entirely novel way.

Hunting the Free Market

Our ancestors laid out the ground rules of human teamwork several thousand generations ago, and they go like this: the woman with the keen eyesight is Chief Mammoth Finder, the guy with the strong arm and the long spear is Head Mammoth Killer, and the tribal elder with the special feel for herbs and spices gets to be Grand Mammoth Cook. For now. All these positions are temporary and to some extent self-selecting. If you want to be Chief Finder, go find some mammoths and the job is probably yours. But since everyone’s well-being depends on your success, your status is also highly situational. Fail to find, and the job will pass swiftly and naturally to someone else.
Generally speaking, Semco’s production process works along similar lines, both for satellite operations and for the work we do in-house. All work, including some aspects of management, goes to people with proven track records who want the jobs and can compete for them successfully. Satellite as well as in-house business units rise and fall on their merits alone—at least in theory.
This commitment to free-market principles was put to the test about a year into the satellite program, when our marine division found itself with a good deal of idle capacity. Marine’s strategy was built on quality, not price—low volume but high margins. A shipbuilder seeking the very best performance and dependability in, say, a propeller system, tended to come to us. But with the economy in a straitjacket, orders had nearly disappeared.
On the other hand, our biscuit division, which designs and builds turnkey cookie factories for global giants like Nabisco and Nestlé, had two fairly big contracts in hand, one for about $2 million, another for $5.5 million, and was going to need a lot of skilled subcontracting. The portion of this work that marine could do would keep it occupied for four or five months, and marine’s top manager (called a counselor at Semco) went ahead and figured the contracts from the biscuit division into his budget. But biscuit’s purchasing people did not award the contracts to the marine division, which took too long to deliver, they said, and which charged too high a price for its exaggerated quality. They gave the contracts instead to satellite producers and outside contractors, including one of marine’s archcompetitors. The fight that triggered was a bitter one, and the attempts of the interdepartmental management meeting to act as go-between did not make things easier. We were of two minds ourselves.
On the one hand, we were going to pay marine employees to sit around on their hands while another division paid outsiders to do work the marine employees could have done. And on the other hand, how could we ask biscuit employees, who share in their division’s profits, to subsidize a business in trouble? Moreover, wouldn’t the subsidy just postpone marine’s inevitable reckoning with its own strategic predicament? In the end, we let biscuit have its way and endorsed the need to be as unforgiving toward our own business units as we would be toward outsiders. It was the right decision, of course. We finished the cookie factories on schedule, and the marine division—which decided to stick with its high-quality, high-margin strategy but to eliminate a number of products whose quality and cost were too high for the market—cut its staff by 70%, began farming out a lot of its work to satellites, and recovered its profitability.

Control…

At the center of Semco is a group of six so-called counselors, and all of us take six-month turns as acting CEO. We also do six-month as opposed to yearly budgeting, because an annual budget tempts managers to postpone unpleasant decisions to the third and fourth quarters.
The budget cycles are January to June and July to December, but the CEO cycles begin in March and September. In other words, we avoid what other companies and shareholders think they want—responsibility nailed down to a single man or woman. Our CEOs don’t wear themselves out trying to meet quarterly financial goals, and there’s no one person to blame if the company goes down the drain. When financial performance is one person’s problem, then everyone else can relax. In our system, no one can relax. You get to pass on the baton, but it comes back again two-and-a-half years later.
Having six CEOs means financial results are shared—and no one can relax.
One consequence of this system is that we need to keep each other well-informed, which we do at regular weekly divisional meetings and biweekly interdivisional meetings. All these meetings are open and optional, and those who attend make decisions that those who don’t may simply have to live with.
This self-selecting element in decision making is another consequence of the deliberate fragmentation of responsibility. Like our predecessors the mammoth hunters, the people who get responsibility are the people who seek it out and meet it. In fact, the actual, ad hoc control structure we work with from day to day builds on this principle and on two others that, together, create a kind of invisible order from the apparent chaos that characterizes the Semco environment.
The first principle holds that information is the ultimate source of virtually all power. For this reason, we try to make all of it available to everyone. All meetings are open. Designs and specifications are shared. The company’s books are open for inspection by employees and for auditing by their unions. In short, we try to undercut and so eliminate the process of filtering and negotiating information that goes on in so many corporations. Meetings are chaired by the person who knows most about the subject under discussion rather than by the person who has the highest declared status or apparent income.
The second principle is that the responsibility for any task belongs to the person who claims it.
The third is that profit sharing for employees and success-oriented compensation for satellite enterprises will spread responsibility across the Semco map. With income and security at risk—and with information readily available—people try hard to stay aware of everyone else’s performance.
To give an idea of how all this works in practice, let’s take one of those turnkey cookie factories. The Big Cracker Company of Chicago wants a plant that will turn out a thousand tons a month of, say, butterscotch macaroons. To begin with, an independent agent will tell us of the project in return for a finder’s fee. We will probably put the initial customer interface in the hands of a satellite company—four men who used to be on our payroll and now work for themselves. They’ll go through the specifications with the customer, then they’ll share that information widely, announce a meeting (to which anyone can come and no one is summoned), and chair the discussion (which will cover several unexpected proposals from unanticipated participants like the guy from refrigeration with a special point of view about handling butter and coconut). Someone, a group of employees or satellites, will take on the job of costing the project, and with this cost estimate in hand, a Semco counselor and biscuit-division coordinators will then set a margin and deliver the quote to Big Cracker.
(A couple of times, we have even communicated this margin to the customer, because we thought it would be easier to justify, for example, a 12% net margin than to play the disingenuous game of claiming pencil-thin profits and no room for compromise. Our chief argument has been our profit-sharing program, since it seems so clear to us that people will work harder for more money and that a generous margin will therefore buy the customer much extra care and effort. But I’m afraid we’ve had only limited success with this approach.)
This margin-setting discussion often produces serious disagreements. In one case, we battled out the margin in a long, heated debate, and then the sales manager lowered it dramatically when he sat down with the customer. By Semco rules, that kind of last-minute capitulation is perfectly legitimate. Battle or no battle, he was with the customer, not we. Whoever holds the spear is completely in charge of bringing down the mammoth.
Let’s say Big Cracker accepts our bid and the order comes in, 600 pages long. Let’s also say we choose a coordinator for the project from outside the company, and let’s call him Bob. Bob will go through the contract and decide how he wants to divide it up. He may get help from engineering. He will certainly get help from all the meetings he holds to make decisions, which he will chair and where he will lobby for the people he wants to do each job. Next, the biscuit division’s purchasing department will negotiate contracts with the dozens of suppliers chosen. In 1991, we did about 70% of such a contract in-house. Today, that’s down to 35% or 40%.
When Bob has put together a completion schedule and time chart, everyone will go to work—each contractor, employee, and satellite responsible to no single authority but answerable to everyone. At most companies, when something goes wrong the real responsibility falls between the cracks. At Semco, the fact that Bob is not an employee makes everyone react much faster when there looks like trouble.

…And Lack of Control

Semco needs to maintain in-house just a limited number of functions—top management, applications engineering, some R&D, and some high-tech, capital-intensive skills that we do exceptionally well. We don’t care how everything else gets done, whether by contractors or subcontractors, satellites or nonsatellites, former employees or total strangers or by the very people who do the same thing for our competition. None of that matters.
When we started, people warned me that all sorts of information about our company would get into the wrong hands, that we had to protect ourselves. I heard the same argument when we started distributing profit-and-loss statements to our employees. But it’s a waste of time to worry about leaks.
It’s a waste of time to worry about leaks. After all, why worry about yesterday’s information?
First of all, we no longer know whose the wrong hands are. The competition used to be a company a mile away that made the same products we did, but now the competition comes from companies we’ve never heard of in Taiwan and Finland. Second, I’ve never seen a company overtake another because it had seen its 10K or even the specifications for a valve. Third, we want to be a moving target. We don’t care about yesterday’s information or last year’s oil pump, which in any case the competition can buy, take apart, and study to its heart’s content.
Finally, we don’t think people give out much information anyway. I know. I’ve tried on numerous occasions to get a copy of, let’s say, a pamphlet some company passed out to 1,000 employees, and nobody can lay their hands on one. The Chinese printed hundreds of millions of copies of Chairman Mao’s Little Red Book, and still they’re as rare as hen’s teeth.
People also warned me about the loss of central goal setting and control. I admit that the lack of control is often hard to live with. But let’s not compare Semco’s circumstances with some ideal world where managers actually get to decide what people will do and when and how they’ll do it. We have limited control over the day-to-day behavior of the people who make most of our components, but so do companies that do all their work in-house. At least none of our satellite people work nine to five and leave their problems at the plant when they go home at night—which means leaving them to management. We have motivation and responsibility working on our side. Our satellite workers are in business for themselves, so they’ll work all night to complete an order to specification and on time. And if the order is late or fails to meet our quality standards, then we’re free to give the next order to someone else. We can forget the witch-hunt and all the grief that goes into firing people or not promoting them.
As for planning and the control it presupposes, I think good planning is always situational. Thinking about the future is a useful, necessary exercise, but translating such conjecture into “Strategic Planning” is worse than useless. It’s an actual barrier to survival. Strategic planning leads us to make things happen that fly full in the face of reality and opportunity.
For example, Semco is today in the environmental consulting business, which I could not have imagined five years ago. Our gadfly NTI group was looking at one customer’s need for an environmentally active pump—a pump that would shred and process the material it moved—and saw that the company could reengineer its production line to do away with the pump altogether. Had we said, “We’re in the pump business, not the environmental business,” we might never have pursued that solution to the problem. As it was, we addressed the company’s overall need, jettisoned the pump, and when it was all over, we’d also acquired a small environmental consulting firm to flesh out our own limited expertise. More recently, we’ve also entered into a joint venture with one of the world’s leading environmental consulting groups. Today, the division represents about 14% to 15% of our total business and is growing at a rate of 30% to 40% per year.
The lesson this story teaches me is about the negative value of structure. Structure creates hierarchy, and hierarchy creates constraint. We have not utterly abandoned all control, but the old pyramidal hierarchy is simply unable to make leaps of insight, technology, and innovation. Within their own industries, pyramidal hierarchies can generate only incremental change.
Take dishwashers, one of Semco’s businesses. Dishwashers are expensive to operate and messy to use, but over the last 50 years, dishwashers have changed hardly at all. What the customer wants is a machine that washes dishes silently, cheaply, and without any mess at all, which probably means without water. I’ve recently seen indications that such a thing may be possible, but the idea could never have come from a pyramid of Semco dishwashing executives. It was one of our satellites that brought us the idea. In fact, about two-thirds of our new products come from satellite companies.
What goes for planning goes equally for culture, vision, and responsibility. We find that fragmentation is strength in all these areas. Semco has no corporate credo, for example, and no mission statement. An articulation of company values or vision is just a photograph of the company as it is, or wants to be, at one given moment. Snapshots of this kind seem to hold some companies together, but they are terribly static devices. No one can impose corporate consciousness from above. It moves and shifts with every day and every worker. Like planning, vision at its best is dynamic and dispersed.
At Semco, so is responsibility. We have little control, even less organization, and no conventional discipline at all. People come and go whenever they like; many set their own compensation; divisions and units perpetuate themselves however they can; satellite companies work on our machines in our factories for us and others in a great confusion of activity; the system tying it all together is painfully loose—and this is manufacturing, much of it assembly-line manufacturing.
At Semco, we have little control, less organization, and virtually no discipline.
When I describe Semco to other manufacturers, they laugh. “What do you make,” they ask me, “beads?” And I say, “No, among other things, we make rocket-fuel propellant mixers for satellites.” And they say, “That’s not possible.” And I say, “Nevertheless…”
The point is simple but perhaps not obvious. Semco has abandoned a great many traditional business practices. Instead, we use minimal hierarchies, ad hoc structures, self-control, and the discipline of our own community marketplace of jobs and responsibilities to achieve high-quality, on-time performance. Does it make me feel that I have given up power and governance? You bet it does. But do I have more sleepless nights than the manufacturer who runs his business with an iron hand and whose employees leave their troubles in his lap every night? I think I probably sleep better. I know I sleep well.
We delivered our last cookie factory with all its 16,000 components right on time. One of our competitors, a company with tight controls and hierarchies, delivered a similar factory to the same client a year and two months late.
A version of this article appeared in the January–February 1994 issue of Harvard Business Review.


Ricardo Semler is the majority owner of Semco in São Paulo, Brazil. He is the author of two previous HBR articles, “Managing Without Managers” (September–October 1989) and “Why My Former Employees Still Work for Me” (January–February 1994), and the book Maverick (Warner Books, 1993).

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